Foxcatcher (2014)

Foxcatcher (2014)

A tense, eerie, almost psychosexual drama about two men desperate to break free from familial legacy, Foxcatcher bears many similarities to a previous Bennett Miller effort, 2005s Capote. The relationship between Mark Schultz and John du Pont in Foxcatcher and Perry Smith and Truman Capote in the eponymous film is a similar dance of death and obsession. While the results yielded are similar to that of the former film, only hinting at the full potential the story holds, its nonetheless an intriguing watch, if only for the transformative performances.”

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Friday critics’ roundup: Boyhood, Nightcrawler, and Birdman advance

criticsroundup 19.12.14

Another week is nearly over, which means that there is another bunch of critics awards to report on. Leading the pack still is Richard Linklater’s Boyhood, which continues to be trailed by Birdman. Amongst these is a few surprises, mostly in the form of Nightcrawler‘s quick ascension from TIFF play to underdog, the lack of The Imitation Game (although that was always going to be a bigger play with the industry, not critics) and Mommy, which I still see as the Foreign Language frontrunner despite its lack of a Golden Globe nomination and critics wins (Interested to see how that pans out for it), and some more love for the excellent Snowpiercer. 

Full lists from Phoenix, San Diego, Austin, St. Louis, Indiana, Kansas, and San Francisco.

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Begin Again (2014)

“I wanted to turn it into a hit.”
“Why?”

Remember that beautiful scene in John Carneys’ Once that was just two lost souls in a music shop bonding over a piano? There was nothing else, just the people singing. Finding themselves in music, in the discovery of a relationship, playing a heartbreaking song. It was so simple it wrenched your heart. The voices were so strong, so pure and unproduced. There was no backing, just the piano and guitar. The camera was appropriately shaky, it wasn’t polished or perfect or digital. It looked real.

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